Peter Yates’s flag-waving film stands with To Kill a Mockingbird and American Graffiti as one of the best films about small-town Americana. Steve Tesich won an Oscar for his semi-biographical screenplay about four 19-year-olds who don’t know what to do after high school. Dave Stohler (Dennis Christopher) and his three friends–ex-football star Mike (Dennis Quaid), wily comedian Cyril (Daniel Stern), and tough kid Moocher (Jackie Earle Haley)–are doomed to live in the college town of Bloomington, Indiana, where the local kids (nicknamed “Cutters”–a derogatory reference to quarry workers and their blue-collar families) are looked down on by the uppity students of nearby Indiana University.
Stohler escapes into a world of Italian bicycling, picking up the lingo, the accent, and a good share of the talent of his heroes. He is also the scourge of his father’s life. The used-car salesman (Paul Dooley) doesn’t understand his son’s affection for bicycling or, for that matter, his pride in being a “Cutter.”
Breaking Away rehabilitates the word heartwarming as Tesich’s uncommonly intelligent script gives us well-rounded characters and a potent sense of place. The grandstanding finale–the real life “Little 500″ bike race–gives the film a perfect, crowd-pleasing end. However, the film never sacrifices the development of characters for the action. Dooley is especially effective in one of those once-in-a-lifetime roles. The lifelong character actor’s place in film history is established with this indispensable performance.
